The thing was billed to start at eight o'clock, so I rolled up at
ten-fifteen, so as not to have too long to wait before they began. The
dress-parade was still going on. George was on the stage, talking to a
cove in shirt-sleeves and an absolutely round chappie with big
spectacles and a practically hairless dome. I had seen George with the
latter merchant once or twice at the club, and I knew that he was
Blumenfield, the manager. I waved to George, and slid into a seat at
the back of the house, so as to be out of the way when the fighting
started. Presently George hopped down off the stage and came and joined
me, and fairly soon after that the curtain went down. The chappie at
the piano whacked out a well-meant bar or two, and the curtain went up
again.
I can't quite recall what the plot of "Ask Dad" was about, but I do
know that it seemed able to jog along all right without much help from
Cyril. I was rather puzzled at first. What I mean is, through brooding
on Cyril and hearing him in his part and listening to his views on what
ought and what ought not to be done, I suppose I had got a sort of
impression rooted in the old bean that he was pretty well the backbone
of the show, and that the rest of the company didn't do much except go
on and fill in when he happened to be off the stage.
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