Fyne, the girl, who had not said a word,
tore herself out from that slightly rigid embrace. She struggled dumbly
between them, they did not know why, soundless and ghastly, till she sank
exhausted on a couch. Luckily the children were out with the two nurses.
The hotel housemaid helped Mrs. Fyne to put Flora de Barral to bed. She
was as if gone speechless and insane. She lay on her back, her face
white like a piece of paper, her dark eyes staring at the ceiling, her
awful immobility broken by sudden shivering fits with a loud chattering
of teeth in the shadowy silence of the room, the blinds pulled down, Mrs.
Fyne sitting by patiently, her arms folded, yet inwardly moved by the
riddle of that distress of which she could not guess the word, and saying
to herself: "That child is too emotional--much too emotional to be ever
really sound!" As if anyone not made of stone could be perfectly sound
in this world. And then how sound? In what sense--to resist what? Force
or corruption? And even in the best armour of steel there are joints a
treacherous stroke can always find if chance gives the opportunity.
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