I was gliding along smoothly and without obstruction or accident,
until I came to that word "spalleggiato," then the bottom fell out.
You notice what a rich gloom, what a somber and pervading mystery,
that word sheds all over the whole Wallachian tragedy. That is the charm
of the thing, that is the delight of it. This is where you begin,
this is where you revel. You can guess and guess, and have all
the fun you like; you need not be afraid there will be an end to it;
none is possible, for no amount of guessing will ever furnish you
a meaning for that word that you can be sure is the right one.
All the other words give you hints, by their form, their sound,
or their spelling--this one doesn't, this one throws out no hints,
this one keeps its secret. If there is even the slightest slight
shadow of a hint anywhere, it lies in the very meagerly suggestive
fact that "spalleggiato" carries our word "egg" in its stomach.
Well, make the most out of it, and then where are you at?
You conjecture that the spectator which was smoking in spite
of the prohibition and become reprohibited by the guardians,
was "egged on" by his friends, and that was owing to that evil
influence that he initiated the revolveration in theater that has
galloped under the sea and come crashing through the European
press without exciting anybody but me. But are you sure,
are you dead sure, that that was the way of it? No.
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