When she happened to fetch out a long word which had had its day
weeks before and its prepared meanings gone to her dump-pile,
if there was a stranger there of course it knocked him groggy for
a couple of minutes, then he would come to, and by that time she
would be away down wind on another tack, and not expecting anything;
so when he'd hail and ask her to cash in, I (the only dog on
the inside of her game) could see her canvas flicker a moment
--but only just a moment--then it would belly out taut and full,
and she would say, as calm as a summer's day, "It's synonymous
with supererogation," or some godless long reptile of a word
like that, and go placidly about and skim away on the next tack,
perfectly comfortable, you know, and leave that stranger looking
profane and embarrassed, and the initiated slatting the floor
with their tails in unison and their faces transfigured with a
holy joy.
And it was the same with phrases. She would drag home a whole phrase,
if it had a grand sound, and play it six nights and two matinees,
and explain it a new way every time--which she had to, for all she
cared for was the phrase; she wasn't interested in what it meant,
and knew those dogs hadn't wit enough to catch her, anyway.
Yes, she was a daisy! She got so she wasn't afraid of anything,
she had such confidence in the ignorance of those creatures.
She even brought anecdotes that she had heard the family and the
dinner-guests laugh and shout over; and as a rule she got the nub
of one chestnut hitched onto another chestnut, where, of course,
it didn't fit and hadn't any point; and when she delivered the nub
she fell over and rolled on the floor and laughed and barked
in the most insane way, while I could see that she was wondering
to herself why it didn't seem as funny as it did when she first
heard it.
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