Their arms went out about each other and
clasped behind each other's backs. Then some impulse moved them
to a fierce clench of desperate sorrow. They were embracing their
dead loves, the corpses that lay dead in these alienated bodies.
It was an embrace across a grave, and they felt the thud of clods
upon their love.
They gasped with the pity of it, and Kedzie's eyes were reeking
with tears and Gilfoyle's lips were shivering when they wrenched
out of that lock of torment.
He caught her back to him and kissed her salt-sweet mouth. Her kiss
was brackish on his lips as life was. She felt a kind of assault in
the fervor of his kiss, but she did not resist. He was a stranger
who sprang at her from the dark, but he was also very like a poet
she had loved poetically long, long ago.
Then they wrung hands and called good-bys and he caught up his
suit-case and rushed through the door.
She hung from the window to wave to him as he ran down the street
to the Subway, pausing now and again to wave to her vaguely, then
stumbling on his course.
At last she could not see him, whether for the tears or for the
distance, and she bowed her head on her lonely sill and wept.
She had a splendid cry that flushed her heart clean as a new whistle.
She washed her eyes with fine cold water and half sobbed, half
laughed, "Well, that's over."
CHAPTER XI
Charity Coe Cheever was making less progress with her amateur
movie-show than Kedzie with her professional cinematic career.
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