" And here is vision with great dignity: "All beyond his figure
was a vast dark curtain, in solemn movement towards one quarter of the
heavens."
With that singleness of sight--and his whole body was full of the light
of it--he had also the single hearing; the scene is in the Court of
Chancery on a London November day: "Leaving this address ringing in the
rafters of the roof, the very little counsel drops, and the fog knows him
no more." "Mr. Vholes emerged into the silence he could scarcely be said
to have broken, so stifled was his tone." "Within the grill-gate of the
chancel, up the steps surmounted loomingly by the fast-darkening organ,
white robes could be dimly seen, and one feeble voice, rising and falling
in a cracked monotonous mutter, could at intervals be faintly heard . . .
until the organ and the choir burst forth and drowned it in a sea of
music. Then the sea fell, and the dying voice made another feeble
effort; and then the sea rose high and beat its life out, and lashed the
roof, and surged among the arches, and pierced the heights of the great
tower; and then the sea was dry and all was still." And this is how a
listener overheard men talking in the cathedral hollows: "The word
'confidence,' shattered by the echoes, but still capable of being pieced
together, is uttered."
Wit, humour, derision--to each of these words we assign by custom a part
in the comedy of literature; and (again) those who do not read
Dickens--perhaps even those who read him a little--may acclaim him as a
humourist and not know him as a wit.
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