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Tarkington, Booth, 1869-1946

"Penrod and Sam"

And
they, too, had aligned themselves with the insurgents. Their
motives were personal--Carlie Chitten had wronged both of them,
and Carlie was conspicuously in high favour with the Authorities.
Naturally Sam and Maurice were against the Authorities.
"Les Papillons" came to a conclusion. Carlie and Georgie bowed;
Marjorie Jones and Baby Rennsdale curtesied, and there was loud
applause. In fact, the demonstration became so uproarious that
some measure of it was open to suspicion, especially as hisses of
reptilian venomousness were commingled with it, and also a hoarse
but vociferous repetition of the dastard words, "Carrie dances
ROTTEN!" Again it was the work of Rosencrantz and Guildenstern;
but the plot was attributed to another.
"SHAME, Penrod Schofield!" said both the aunts Rennsdale
publicly, and Penrod, wholly innocent, became scarlet with
indignant mortification. Carlie Chitten himself, however, marked
the true offenders. A slight flush tinted his cheeks, and then,
in his quiet, self-contained way, he slipped through the crowd
of girls and boys, unnoticed, into the hall, and ran noiselessly
up the stairs and into the "gentlemen's dressing-room", now
inhabited only by hats, caps, overcoats, and the temporarily
discarded shoes of the dancers.


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