The connection of Cooper's best writing with the life he knew at first
hand is thus perfectly plain. In his novels dealing with the wilderness,
popularly known as the Leatherstocking Tales, he drew directly on his
knowledge of the backwoods and backwoodsmen as he gained it about
Cooperstown. In _The Pioneers_ (1823) he dealt with the scenes of his
boyhood, scenes which lay very close to his heart; and in the other
volumes of this series, _The Last of the Mohicans_ (1826), _The Prairie_
(1827), _The Pathfinder_ (1840), and _The Deerslayer (1841), he
continued to write of the trappers and frontiersmen and outpost
garrisons and Indians who made up the forest life he knew so well.
Similarly, in the sea tales, which began with 'The Pilot'(1823) and
included 'The Red Rover'(1828), 'The Two Admirals' (1842) and 'The
Wing-and-Wing'(1842), he made full use of his experiences before the
mast and in the navy. The nautical accuracy of these tales of the sea
could scarcely have been attained by a "landlubber". It has much
practical significance, then, that Cooper chose material which he knew
intimately and which gripped his own interest. His success came like
Thackeray's and Stevenson's and Mark Twain's--without his having to
reach to the other side of the world after his material.
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