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Poe, Edgar Allen

"The Oblong Box"

Wyatt as a decidedly
plain-looking woman. If not positively ugly, she was not, I think,
very far from it. She was dressed, however, in exquisite taste- and
then I had no doubt that she had captivated my friend's heart by the
more enduring graces of the intellect and soul. She said very few
words, and passed at once into her state-room with Mr. W.
My old inquisitiveness now returned. There was no servant- that
was a settled point. I looked, therefore, for the extra baggage. After
some delay, a cart arrived at the wharf, with an oblong pine box,
which was every thing that seemed to be expected. Immediately upon its
arrival we made sail, and in a short time were safely over the bar and
standing out to sea.
The box in question was, as I say, oblong. It was about six feet
in length by two and a half in breadth; I observed it attentively, and
like to be precise. Now this shape was peculiar; and no sooner had I
seen it, than I took credit to myself for the accuracy of my guessing.
I had reached the conclusion, it will be remembered, that the extra
baggage of my friend, the artist, would prove to be pictures, or at
least a picture; for I knew he had been for several weeks in
conference with Nicolino:- and now here was a box, which, from its
shape, could possibly contain nothing in the world but a copy of
Leonardo's "Last Supper;" and a copy of this very "Last Supper,"
done by Rubini the younger, at Florence, I had known, for some time,
to be in the possession of Nicolino.


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